Designer to Watch: Daniella Kallmeyer

The more and more that I see of Daniella Kallmeyer‘s work, the more I see she is a force to be reckoned with. If her designs don’t speak for themselves {which they do} her resumé will.

After graduating from the London School of Fashion, where she was named “one to watch,” by WWD, she went on to work for Alexander McQueen, Proenza Schouler, Alice + Olivia, Luca Luca, Les Chiffoniers, and Jen Kao, in both ready-to-wear and couture. Impressed?

*Everyone simultaneously nods*

In the fall of 2010 she found her own women’s wear label. Based in New York City, South African born Daniella Kallmeyer the multi-disciplinary fashion designer continues to create fresh and beautiful collections for the empowered woman. With a focus on sustainability, Kallmeyer will continue to be a fierce player in the fashion world.

photo: http://daniellakallmeyer.com/

photo: daniellakallmeyer.com/

DANIELLA KALLMEYER FALL 2014 COLLECTION 

Kallmeyer’s Fall 2014 collection features fantastic details such as fringe, sheerness and playful silhouettes! The collection as a whole {including accessories} is entirely on point, and has something exciting for every woman.

{Click any image below to launch slideshow}

 

DANIELLA KALLMEYER can currently be found in specialty stores in New York, Los Angeles, Boston, Portland and other US big cities, with plans to expand to Europe and Asia in the following seasons.

Nicolas Ghesquière’s first Louis Vuitton collection {Fall 2014 RTW}

20140306-SUZY-slide-V67E-superJumbo

To great anticipation, the dawn of Ghesquière‘s Vuitton has arrived; he has been off the scene for a year and a half since leaving Balenciaga, and dearly missed. Much speculation revolved around his premiere collection for the luxury label. We were all wondering where Ghesquière would move after fourteen years of Marc Jacobs at the helm. 

“Today is a new day. A big day…Words cannot express exactly how I am feeling at this moment…Above all, immense joy.” -Nicolas Ghesquière {said in his open letter left on every seat}

Louis Vuitton

The set was quite subdue, compared to Jacob’s more extravagant set designs, although the show took place in the Louvre’s courtyard where Marc Jacob’s held previous LV shows.  The minimal set allowed the large collection to stand alone, which was chiefly built on wearable separates.  Slight A-line cut at the thigh, was the show’s predominant silhouette, and was reminiscent of the 1960s on the cusp of the 70s.

“I salute the work of Marc Jacobs, whose legacy I wholeheartedly hope to honour.” -Nicolas Ghesquière

There were nods to Jacob’s Vuitton and house’s heritage of leather goods, however Ghesquière’s aesthetic shone through. Solids juxtaposed with the Victorian floral prints, knit skirts adorned with hand-cut feathers and molded leather bodices and knit skirts aswirl with hand-cut feathers; however his famous flair for experimentation was quite scaled back. This was a smart move of Nicolas Ghesquière’s behalf. Rocking the boat on the first time out may not have been well accepted, instead paying slight homage, while moving the brand around the corner into a new direction.

{Click any of the below images to launch slideshow}


A Closer Look at the New Handbags

Known for its luxury bags, everyone waited with bated breathe to see where Mr. Ghesquière would take the label’s most successful asset. Destined to be the new ‘it’ bag, the Petite Malle bag, a miniature LV trunk was already seen in the front row of the show.  Featuring paper bag clutches, croc skin duffels, subtle geometric prints, as well as bringing the classic monogram into a new, yet very 60s print; will make way for the new direction Louis Vuitton will go in under Ghesquière’s reign.

{Click any of the below images for a closer look}

The Open Letter from Nicolas Ghesquière

“Today is a new day. A big day. You are about to witness my first fashion show for Louis Vuitton. Words cannot express exactly how I am feeling at this moment… Above all, immense joy at being here, in the knowledge that my stylistic expression is at one with the Louis Vuitton philosophy. The proud legacy. The inspiring history that looks to the future and to the world. The quest for authenticity and innovation. Does not every designer ultimately seek to create something timeless?”

-Nicolas Ghesquière
Follow my blog with Bloglovin

Chanel on Aisle 4: Fall 2014 RTW

“If you want to look really ridiculous, you go in stilettos in a supermarket.”  – Karl Lagerfeld

{Click and image below for a closer look}

The Grand Palais was transformed into a 139,930-square-foot Chanel shopping centre. Complete with shelf upon shelf of Chanel transformed products, including:

  • coconuts (‘Lait de Coco’)
  • packets of Chanel toast stamped with the interlocking CC logo
  • Chanel teas (‘Little Black Tea’, ‘Very Early Grey’)
  •  Chanel doormats (‘Mademoiselle Prive’)
  • Chanel feather dusters
  • Chanel rubber gloves (labeled ‘So Chic’)
  • a Chanel chainsaw 
  • Also, a cheese stall (giant wheels of parmesan), vegetables, dairy products, mountains of tins of caviar, wines, spirits, olive oil. 

The collection was smart and sporty. Filled with pops of exuberant colors and shapes that stood out among the market shelves.  Continuing from the Chanel couture collection last month, all the models feet were donned in trainers, this time crafted out of classic Chanel tweeds and exotic skins. Because as Lagerfeld explains it, “If you want to look really ridiculous, you go in stilettos in a supermarket.” 

This collection included nods to classic Chanel as well as playful contemporary notes;  timeless tweed coats, legging-style trousers, leather opera gloves, baggy metallic trousers, and the chain link necklaces with oversized padlocks. This collection seems to be an attempt, on Lagerfeld’s behalf, to make a statement on fashion’s involvement in our everyday lives, just as the supermarket. 

{Click and image below to launch slideshow}

 

Alexander McQueen Fall 2014 RTW

Inspired by a “Wild beauty,” Sarah Burton created a magical world on the heather covered runway in Paris. “I wanted to see the woman’s face again,” she said. “Free her a bit, touch her, feel her.” With this in mind the collection was filled with trapeze silhouettes allowing these McQueen models room to move. Paired with this freedom shaping, were the ethereal empire gowns, creating column-like beauties.

“And there’s kind of an innocence, but stripped back and liberated.” – Sarah Burton

Breathtaking elaborate textures were so beautifully done that they were at first believed to be prints. Hand-cut feathers, fox pom-poms, 3-D tulle flowers, crystal stars, cotton eyelet, broderie anglaise and goat fur were all among the delicate surface details, allowing this collection to bridge the gap of Ready-to-wear and couture.

{Click any of the below images to launch slideshow}

BCBG Max Azria {Fall 2014}

NYFW has officially begun, with BCBG Max Azria up first, with the collection which marks their 25th Anniversary.  Not a retrospective, but features elements that have become synonymous with the BCBG name. Combining different fabrics, geometrical color-blocking and asymmetrical silhouettes, were among the details representing the label. Another prominent element was the use of fur in many of the looks. Always the controversial piece, faux-fur vs. fur-real, this collection was quite a way to kick-off fashion week!

{Click any image below to launch slideshow}

Designer Feature: Araks {Thanks to January Jones}

Yesterday January Jones posted an image on Instagram where she gives Banksy a run for his money. She looks absolutely fabulous, but I couldn’t get over the stunning jewel-tone top she was wearing. Crushing on it so hard, I asked her who it was by, she said Araks. Now, I am in love!

Little background: Araks was launched as a luxury lingerie line back in 2000 by Parsons grad Araks Yeramyan. She caught the eyes of some stylish celebrities, including Sofia Copola, who had Scarlett Johansson wearing Araks lingerie in her film Lost in Translation.  In 2004 Yeramyan added swimwear to her collection, and then Ready-to-wear in 2006 in New York.

DELPHINA TOP IN WAVE FLORAL PRINT +
BLYTHER TROUSER IN ARANTHERA WAVE WOOL SILK TWILL

19_13.02.12_ARAKS_08_024_1024x1024

 

See Araks’ latest Spring 2014 RTW collection here:

{Click any image to launch slideshow}

Maison Martin Margiela {Pre-fall 2014 RTW}

It has been a busy 24 hours for Maison Martin Margiela. They released their Pre-fall collection yesterday, and now this morning, in fact any minute the Couture show will begin. While we wait, here are the images for Pre-Fall RTW:

{Click any of the below images to launch slideshow}

Highlights of Pre-Fall 2014 so far…

Here are some of my favorites from the Pre-Fall collections so far:

{Click any image to launch slideshow + for details}


What has been your favorite Pre-Fall collection?